Bus Compressor
- 4 modes of operation - Classic Stereo, Σ S/C Stereo, Dual Mono or Mid-Side
 - External side-chain inputs and sends
 - The authentic SSL Bus Compressor circuit
 - LOW THD Mode reduces low-frequency distortion caused by compression
 - F/B Mode alters the compression characteristics for a more 'relaxed' style of compression
 - 4K Mode - single VCA operation with variable harmonic distortion to bring some 'grit' and 'grunge' to the mix
 - Negative Ratios - for creative pumping effects and control of particularly loud signals
 - New Attack and Release options, including the new 'Auto 2' setting
 - MIX control for instant parallel compression
 - Moving-coil gain reduction meters
 - Unlockable Transient Expander
 
General
- 100% analogue circuit, controlled digitally using stepped front-panel pots
 - Huge +27.5 dBu headroom
 - Configurable processing order - Bus Compressor pre D-EQ (default) or post
 - CH 1 IN and CH 2 IN buttons for global bypass
 - Settable Operating Level - 0 dB (nominal), +10 dB, -5 dB
 - Sleep and Auto-Sleep modes
 - Precision MDAC-controlled MAKE-UP Gain with two ranges - 1 dB or 0.5 dB steps
 
D-EQ
- Powerful 2-band analogue Parallel Dynamic EQ - the D-EQ
 - Compress/Expand modes
 - 3 choices of time constants for each band - Nominal, FAST or AUTO
 - 16 selectable Frequency points per band
 - Adjustable Range control per band from 0.5 dB to 15 dB
 - HF band can be switched to Bell shape, with selectable frequencies covering High-Mids and Highs
 - Frequency band static 'make-up' gain for LF and HF bands (Stereo/ Σ S/C Stereo) or LF band (Dual Mono/Mid-Side)
 - G-Series mode changes LF filter to be 2nd order with degree of undershoot/overshoot
 - Tri-colour activity LEDs to indicate D-EQ activity
 - Individually bypass-able bands
 
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